Cinema is movement. Movement is change. Change is politics — politics regulates change.
Movement in the frame is thus political.
The addition of speed amplifies the political impetus of cinema. Movement is cinema.
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[It’s okay, I haven’t lost it. These are perfunctory scribblings for upcoming research, that I thought were strangely poetic. Rough thoughts on the disappointingly not-that-disappointing Need for Speed here.]
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